Visual Liberation: The Podcast

Revolution Through a Lens: a new way of watching…

Visual Liberation is a way of watching films through a Marxist/Fanonian lens.

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They are films and interpretations of those films that champion the fight against the Hollywood celebrations of racism, misogyny, and all other talismans of capitalism. This radical approach to filmmaking is a pedagogy that has been in development since 2000, exemplified in the film As an Act of Protest and surveyed in essays and articles since then, including the 2001 “Notes from the Underground” manifesto, a radical response to the Danish Dogme 95 movement. The first Visual Liberation film program was held in a self-titled festival at the Brecht Forum in 2002, in New York City.

Visual Liberation is both a curriculum that can be implemented in educational institutions as well as an approach to life and creating art. Its goal is in freeing both the audience and the artist in however the “political message” is being relayed by the author/director. In art, the how is as vital as the what. So-called “political films” in the mainstream have forgotten this.

Visual Liberation dismantles the notion that film is hierarchical and inherently fascistic and must be a Nationalist tool. While Audre Lorde is correct to declare one can’t eradicate the system with the instruments the system created, it is also worth noting how those instruments are played and used. Filmmakers can have agency and invigorate an alternative culture and view of both cinema and what it means to be socially conscious.

Through bare-bones intimate casual reflections, this “sermon,” or midnight ramble, is an explicit and personal oral rendering of written essays by Dennis Leroy Kangalee (DLK) reminding Leftist artists what it means to imbue their ideologies in narrative films, positing that “protest cinema” should be on par with American protest music and to help enable the battle against the Left’s cultural quandary and the damage done by American mainstream movies.

Pedagogical, personal, political and always poetic – this is the beginning of a new way of watching cinema.

The podcast is available now on Anchor and Spotify!

https://anchor.fm/dennis-leroy-kangalee/episodes/Visual-Liberation-Introduction-e181ndj/a-a6k1n5t

A New Way

In our new way

We saw the electricity finally that had been there all this time as if a current had exploded right in front of us demanding to be seen and not necessarily heard…but acknowledged. Its joy had returned. As if the television went from Black and white into technicolor. And all that time we held our breathes foolishly, as if we were not going to make it. And we realized we were 44 not 14 and that was a beautiful thing… because although we’d seen the lower depths we could at least now imagine the greatest heights. And that was good enough. And if colors can remind you of that- or even your own reflection in the mirror (finally) well damn it you’ve kicked the insides of the snipers who await silently with the cops in your head ready to arrest your bliss at any moment. You won. And you can’t believe it. Cause you could never simply admit that you were worth more than the world you entered wanted you to believe.

“Portrait” Drawing by Joshua Kibuka (c) 2020

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