The Radical Glimmer of Billy Dee Williams – Pt. 1

The art, passion, and myth of Billy Dee Williams

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The first part of my profile on the dignified celebrity, intelligent actor, radical artist and spiritual human being…as you may never have had illuminated for you before. More than Star Wars and Colt 45 and Diana Ross, Williams was a very socially-conscious actor and still is a remarkable artist and insightful human being.

Enjoy Part One in the Luminal Theater’s Wavelengths, published by Curtis John.

The Cult Classic That Remains the Most Relevant Film Right Now In The USA

“As an Act of Protest – Best Black Movie Nobody Will See This Year.”

                          – Kam Williams, The Black World Today, Nov. 27, 2002


                        – Ryan Shriver, The NY Times All Movie Guide (2006)

Che Ayende, as Cairo, an actor exasperated by racism, who creative growth leads him to become a revolutionary


You cannot have a revolution without having an art to go alongside it.  Sometimes that art is living itself, sometimes it’s the expression of the angst through blood. Sometimes the tears mean more in the glimpse of 24 frames per second. Sometimes, often in actual life, there is no time for tears — and certainly no poetry that comes along with it… “Revolutions are not fought in, of, or by poems,” as Umar from the Last Poets warned in As an Act of Protest.  But it certainly helps to have those poems going up into the sky like fireworks…and hoping that their residue settles onto a willing recipient before the final axe falls or before the final step of the American gestalt is taken.  You can’t clap with one hand.  But you can still wield a sword.  Or a pen.



In order to bring Dennis Leroy Kangalee’s controversial and haunting 2002 cult film As an Act of Protest to a new generation of film enthusiasts, activists, organizers, and those interested in revolutionary expression, Speller St. Films (who brought the world Wilmington on Fire in 2015) will host online screenings of the movie in an attempt to relay the vitality and importance of the film originally made in response to the murder of Amadou Diallo in 1999 and unfortunately now – the most relevant independent film, perhaps, in American history in the aftermath of George Floyd’s killing and Rayshard Brooks’ execution. The film charts the unmapped territory of the fears, inclinations, and proclivities of conscientious Black Americans who are aware that they are “walking in terrible darkness” as James Baldwin once asserted. The film expresses the angst and racism of a system riddled with racism like a corpse covered in tumors. From hostile bankers and a Theater community entrenched in thwarting the liberatory desires of Black dramatists to the hypocrites of Higher Education to families unable to confront the serious trauma of racism to an unbridled savagery contained within the American police force, Cairo – like a character out of Kafka – has nowhere to turn and the more he dares to open his eyes…the more racism he dares to see. Described once as an “internal Battle of Algiers” and “radical Taxi Driver” (had that film been a progressive movie) — As an Act of Protest is a perfect introduction to Dennis Leroy Kangalee’s art, his admiration for the Black Arts Movement — and a stellar example of an unheralded movement and radical inclination in American cinema and drama that went completely under the radar beginning twenty-five years ago. 

— Joshua Kibuka for the New Black Arts Alliance, Speller St. Films June 9, 2020

Stay tuned for more updates on the release of As an Act of Protest and please visit my page here for more information, clips, and a detailed history of my film…

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